舘鼻則孝リ・シンク展｜NORITAKA TATEHANA RETHINK

展示会概要

About the Exhibition

日本独自の文化を現代に表現するアーティスト舘鼻則孝の展覧会。作家史上最大規模となる本展では、最新作品とともに、代表作であるレディー・ガガが愛用する「ヒールレスシューズ」や、そのインスピレーションソースとなった花魁の浮世絵や写真等も作家所蔵品として公開いたします。ご来場の皆様は本展覧会を通し、舘鼻則孝が自身のルーツを見直し、ヒールレスシューズを初めとする作品が誕生するまでに至ったプロセスを、日本文化の過去と現在を往来しながら体験できる展覧会構成となっています。また、会場にはTORAYA CAFÉ・AN STAND とのコラボレーションによる茶屋が特設され、本イベント限定の特別メニューをお楽しみいただけます。

About the Exhibition An exhibition of Noritaka Tatehana, an artist who expresses Japan's unique culture in the contemporary world. Being the largest exhibition that Noritaka Tatehana has ever held, the exhibition covers the artist’s newest works; his now representative “Heel-less Shoes” that Lady Gaga favors; and the artist’s collection of Japanese woodblock prints and antique photographs of oiran that became the inspiration source of the works that he creates. Through this exhibition, the audience can travel along Tatehana’s creative process for works such as the Heel-less shoes, by going back and forth the past and present of Japanese culture, in a similar way that the artist had reflected upon his own roots. Furthermore, a tea-house is prepared at the venue in collaboration with TORAYA CAFÉ・AN STAND. Visitors can enjoy a special menu for this event only.

作品紹介

Works

HEEL-LESS SHOES SERIES, 2017

遊女の履く高下駄から着想を得た「ヒールレスシューズ」は、大学の卒業制作として作られたものです。東京藝術大学在学中は染織を専攻し、日本のアヴァンギャルドファッションとも言える花魁の装いについて研究しました。

The "Heel-less Shoes" which was inspired by tall wooden clogs worn by oiran (courtesan) was first made for my graduation project. At Tokyo University of the Arts, I studied the oiran’s clothing which was an avant-garde fashion in Japan back then, while majoring in dyeing and weaving.

HEEL-LESS SHOES SERIES “Lady Pointe”, 2014

「今までに見たことがないくらい背の高いトウシューズ」という、レディー・ガガからの特別注文で制作された「レディー・ポワント」は、彼女のミュージックビデオ「Marry The Night」に登場する。ひとつひとつ手仕事でクリスタルガラス貼られた本作は、舘鼻則孝がレディー・ガガへのクリスマスギフトとして制作したものです。

"Lady Pointe" was made for a special request from Lady Gaga, which was to create a pair of tallest pointe shoes that no one has ever seen before. This piece appears in her music video "Marry The Night." For this work, beads of crystal glass were pasted onto the shoes one by one, all done by handwork, and was created as a Christmas gift for Lady Gaga from Noritaka Tatehana.

TATEHANA BUNRAKU: The Love Suicides on the Bridge, 2016

パリのカルティエ現代美術財団で2016年3月に、舘鼻則孝が監督として公演をした人形浄瑠璃文楽。二日間限定で公演された舞台は、座頭に三世桐竹勘十郎を迎え太夫・三味線・人形遣いを含めた総勢13名で構成された。本展では、大道具の赤橋から人形の簪や下駄までが一堂に展示されます。

Ningyo-joruri bunraku performance directed by Noritaka Tatehana which was shown at the Fondation Cartier pour l’art contemporain in Paris in March 2016. The performance which was shown for two days only, was composed of a troupe led by Kanjuro Kiritake III, a total of thirteen performers including tayu, shamisen, and puppeteers. At this exhibition, stage set and small props such as the red bridge, hairpins and clogs for bunraku puppets are on display.

Photo by GION

CAMELLIA FIELDS, 2017

舘鼻則孝が育った鎌倉の風景を、私的な体験と重ね合わせて表現した作品。床一面に置かれた椿の花は、日本独自の死生観を表した作品として、2017年の3月に開廊した新画廊 KOSAKU KANECHIKA で初お披露目された。

This work represents the scenery of Kamakura where Noritaka Tatehana spent his youth, overlapping with the artist’s personal experience. The installation work of camellia flowers all over the ground expresses view of life and death, which is unique to Japan. The work was first shown at KOSAKU KANECHIKA, the gallery which opened in March 2017.

Photo by GION

HAIRPIN SERIES “The Language of Art”, 2017

遊女の簪をモニュメンタルな彫刻作品として表現した作品。螺鈿細工によって表現された片仮名は、舘鼻則孝のクリエーションの一番の理解者でもある英アーティスト・女優のダフネ・ギネスが彼に宛てた手紙の内容が記されている。

A monumental sculpture representing oiran’s hairpin. The katakana letters presented in mother-of-pearl inlay was inspired by a letter to Noritaka Tatehana from Daphne Guinness, British artist and actress who is one of the closest figures who sympathizes with Tatehana’s work.

Photo by GION

見どころ

Highlights

日本文化の過去と未来を往来する
展覧会

Traveling back and forth: modernity of art, crafts, and fashion in Japan seen through Noritaka Tatehana

「アーティスト舘鼻則孝を通して見る、日本の美術・工芸・ファッションの現代性」
多様な作品を生み出す舘鼻則孝の過去から現在までの作品遍歴を辿るとともに、創作の背景を展示物としてご覧いただきます。東京藝術大学在学中より研究課題としていた花魁に関する浮世絵や写真など、舘鼻所有の蒐集品を展示します。
写真　豊原国周《見立昼夜廿四時之内　午后十時》　大判錦絵　明治24年（1891）　舘鼻則孝所蔵

Highlights Traveling back and forth: modernity of art, crafts, and fashion in Japan seen through Noritaka Tatehana

Following the works from the past to the present of Noritaka Tatehana who creates various works, we will show the background of creation as an exhibit. Visitors can view Tatehana’s past and recent works thoroughly along with exhibits that are associated with his creative process. Exhibits include Tatehana’s collection of antique photographs and ukiyo-e prints of oiran, which the artist had researched while studying at the Tokyo University of the Arts.

Photo: Japanese woodblock print by Toyohara Kunichika 1891
Collection of Noritaka Tatehana

TORAYA CAFÉ・AN STANDとの
コラボレーション

Special collaboration with TORAYA CAFÉ・AN STAND

展覧会のタイトルともなっている「RETHINK」に共鳴するかたちで、トラヤカフェ・あんスタンドと舘鼻則孝がコラボレーションし、会場内で茶屋を展開します。数量限定にて、展覧会限定のメニューを無料でご提供いたします。

提供メニュー
・本展限定あんペーストかき氷いちご味
・本展限定あんボーロ抹茶味

Special collaboration with TORAYA CAFÉ・AN STAND Sympathizing with “RETHINK,” the concept of the exhibition, Noritaka Tatehana and TORAYA CAFÉ・AN STAND are holding a special collaboration during the exhibition. A special tea-house will be set inside the venue, offering special menus only available at this exhibition for limited amount with no charge.

Special Menu
・ Special shaved ice with strawberry syrup and An Paste* topping
・ Special An Bolo* (matcha flavor)

*An Paste - puréed azuki bean paste, kneaded together with brown sugar, and maple syrup.*An Bolo - a cookie with An (azuki bean paste) inside.

監督・演出から舞台美術の制作までの
全てを手がける舘鼻則孝とそのチーム

Noritaka Tatehana and his creative team

パリのカルティエ現代美術財団にて公演をした、人形浄瑠璃文楽の舞台美術を再現。作品として制作された大道具・小道具などの舞台美術を初公開します。また、人形浄瑠璃とは違った新たな試みとして本展のための新作演目として花魁を題材とした舞台公演を特設ミニシアターにて行います。
※ミニシアターでの公演は、13:00、15:00、17:00の１日3公演を予定しています。

Noritaka Tatehana and his creative team A reproduction of the stage set and art works for “TATEHANA BUNRAKU: The Love Suicides on the Bridge,” the Ningyo-joruri bunraku show staged and directed by Noritaka Tatehana. The show was first performed at Fondation Cartier pour l’art contemporain in Paris in 2016. Stage set and props created by Noritaka Tatehana and his team that were made as works of art are shown to public for the first time. In addition, there will be a special show at the mini theater which themes oiran as a new performance especially prepared for this exhibition.
* The performances are planned three times a day, each performance starting from 13:00, 15:00, and 17:00.

Photo by GION

ショップ

Shop

NORITAKA TATEHANA RETHINK

本展覧会を記念して舘鼻則孝の作品集「NORITAKA TATEHANA RETHINK」を刊行します。大学卒業制作で発表された「ヒールレスシューズ」から始まり、近年精力的に取り組んでいる絵画や彫刻までを網羅した内容となっております。「RETHINK」という言葉を通して、自身のアイデンティティーを見つめ直すという、舘鼻則孝の創出のプロセスを1冊にまとめました。

著者：舘鼻則孝
編集・執筆：石田潤
執筆：鈴木芳雄

アートディレクション：工藤北斗
デザイン・制作：徳江文裕
撮影：GION、舘鼻則孝

発行：株式会社ノリタカタテハナ

Exhibition Catalog
NORITAKA TATEHANA RETHINK

Noritaka Tatehana’s compilation of works “NORITAKA TATEHANA RETHINK” has been published to celebrate the opening of this exhibition. The catalog covers most of the artist’s works, from his now representative graduation project “Heel-less Shoes” to recent paintings and sculptures that he is actively engaged in. Noritaka Tatehana’s creative process in which the artist reflects upon his own identity through the concept of “RETHINK,” is compiled in one book.

Author: Noritaka Tatehana
Text and editing by: Jun Ishida
Text by: Yoshio Suzuki

Art direction by: Hokuto Kudo
Designed and produced by Fumihiro Tokue
Photo by: GION, Noritaka Tatehana

Published by: NORITAKA TATEHANA K.K.

喜多川式麿「今容女歌仙赤蔦内蔦葛」文化 10 年頃舘鼻則孝所蔵

THEORY OF THE ELEMENTS

日本の伝統文化を学んだ大学時代に、私が研究していたのが江戸のアヴァンギャルドとも言うべき花魁のファッションについてでした。遊女の履く高下駄を現代的な解釈で卒業制作として発表したのが、私の代表作でもあるヒールレスシューズです。それは古来より受け継がれる日本の文化を現代へ翻訳したように、意味を持った作品となりました。明治期以降、西洋化された現代日本を生きる私たちには見直すぺき文化があると思っています。そのような「RETHINK」によって出来上がったのが、遊女の煙管から着想を得た本作「THEORY OF THE ELEMENTS」です。

Photo by GION

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THEORY OF THE ELEMENTSは、Ploom TECH専用デバイスケースです。
本製品のご予約・ご購入はPloomオンラインショップから。
https://shop.ploom.jp/

While I studied traditional Japanese culture at university, I worked on a research on oiran's fashion which was the avant-garde of Edo. My now representative work, the Heel-less Shoes were first presented as a graduation project as a modern interpretation of tall clogs that the oiran wore. It was given an important role to translate traditional Japanese culture into the present day; a culture which has been passed down from the ancient times.
Japan that we live today is a westernized world ever since the Meiji period, and I believe that there is a culture that we must reflect upon. "THEORY OF THE ELEMENTS," inspired by smoking pipes of oiran was created as a result of the “RETHINK” process of our culture.

プロフィール

Profile

舘鼻則孝

Noritaka Tatehana

1985年、東京生まれ。歌舞伎町で銭湯「歌舞伎湯」を営む家系に生まれ鎌倉で育つ。シュタイナー教育に基づく人形作家である母の影響で幼少期から手でものをつくることを覚える。東京藝術大学では絵画や彫刻を学び、後年は染織を専攻する。遊女に関する文化研究とともに日本の伝統的な染色技法である友禅染を用いた着物や下駄の制作をする。現在はアーティストとして、国内外の展覧会へ参加する他、伝統工芸士との創作活動にも精力的に取り組んでいる。作品は、ニューヨークのメトロポリタン美術館やロンドンのヴィクトリア＆アルバート博物館など、世界の著名な美術館に永久収蔵されている。

Born in Tokyo in 1985. Born in Kabuki-cho as a family that runs "Kabuki-yu" in Sento Breed and grows up in Kamakura. I learn to create things by hand from early childhood due to the influence of my mother who is a doll author based on Steiner education. At the Tokyo National University of Fine Arts, he studied painting and sculpture, and later majored in dyeing and weaving. Together with cultural studies on prostitutes, he creates kimono and geta using Japanese traditional dyeing technique Yuzen Dye. Currently as an artist, he participates in domestic and overseas exhibitions as well as energetically working on creative activities with traditional craftsmen. The work is permanently stored in world famous museums such as the Metropolitan Museum of Art in New York and the Victoria & Albert Museum in London.

開催概要

Information